BASIC URUSHI PAINTINGS
TAME-NURI Basically, Tame-nuri (Ta as tag, me as met ) uses Suki Urushi, transparent (actually rather translucent) Urushi painted over the colored Urushi, which was already painted as the interim layer. If the Shu (red) Urushi was painted as the base color, and then, the transparent Urushi is painted, it is called Shu Tame-nuri or Shu-dame. And if Kuro (black) Urushi was painted first, and then, the transparent Urushi was painted over it, it is called Kuro-dame. After the trasparnet Urushi was painted, it will be finished by Togidashi or Hana-nuri. Togidahi uses different materials for polishing and burnishing repeatedly until the luster is brought out to the result they want. It is very time consuming, painstaking work. Hana-nuri means painted without those repeated working by polishing and burnishing in order to bring the luster out. Instead, Hana-nuri uses oiled Urushi in the beginning which helps the Urushi naturally shine after it is dried. Hana-nuri is a much simpler method of Urushi painting, though it won't be as shiny as the Urushi finished with Togidashi. This natural shiny look is more popular than Togidashi especially among the tea ceremony society in Japan. We must decide in the beginning whether this Tame-nuri should be finished with Togidashi or Hana-nuri, because if we want to finish with Togidashi, oil free Urushi must be used, while oiled Urushi should be used for Hana-nuri. The reason for this is because oiled Urushi will help Urushi naturally shine, but it should not be used when it needs to be polished or burnished. And oil free Urushi is good for polishing and burnishing. There is no 100% transparent Urushi. The clearest Urushi still has a light brown or amber color. The interesting thing with Tame-nuri is when the transparent Urushi is painted over the color Urushi, the color will change because this transparent Urushi is NOT 100% transparent like man-made "Urushi" which is 100% clear. The specialness
of Urushi is that the Urushi has a layer of membrane and the color
of the layer will be lighter and shinier, and the Tame-nuri will
look lighter and shinier within several months to a year.
On Densho Pens.
(Eye dropper shut-off filling system with #6 18k gold nibs)
On Takumi Pens.
(Cartridge/Converter filling system with #6 18k gold nibs)
ROIRO-MIGAKI Urushi finishing paintings have two different methods to complete it. One is Hana-nuri or Nuri-tate and the other is Roiro-migaki or Roiro-shiage. Hana-nuri: After Shita-nuri and Naka-nuri are finished. The best quality oiled Urushi is used to paint as its Uwa-nuri to finish Hana-nuri. The oiled Urushi has natural luster by itself when it is used for paintings and dried. Roiro-migaki has the same Shita-nuri and Naka-nuri with the Hana-nuri, but oil-free Urushi, refined Urushi called Roiro-urushi is used for the final painting. After this, some special charcoal is used to burnish the surface repeatedly until the surface is shiny with luster. The work of burnishing is done differently by the craftsmen. The final finish takes a few days or more depending on the weather and humidity where the work is done. Our Roiro-migaki solid color Urushi-nuri is available on five different pens.
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